Art by MeddygonThere is a fine line \ Between genius and madness. \ It is called timing.

A few years back when Jorenko and I still had the dream of making video games, we came up with the concept of making a music-based platformer that, if you did everything exactly right in the run through, you got a great song by the end of it.

Of course, we gave up on that as we are procrastinators of the highest caliber.

Thankfully, GaijinGames are not procrastinators. I finally got around to buying BIT.TRIP RUNNER yesterday. It is AMAZING.

We’d walked for some time in silence through the cave below my home. The only light was from the two small gems Magistrate Cefin and I wore around our necks. They were each smaller that a little finger nail, but they emit enough light to show us a ten foot radius of our surroundings.

Cefin had packed a bag of his personal belongings before he came to my home, and I now carried it for him along with my own. He’d brought objects of sentimental value to himself, and it confused him when he’d watched me pack. “Do you really expect to need a jar of pickled spiders on this trip?” he had asked, “Or a half-dozen ivory spice shakers?” He stopped asking questions about my odd choices when I placed a box of fishing hooks into my bag and pulled out the light gems.

The silence of our walk was broken by Cefin first as he requested that we sit for a bit. As he drank from his canteen I removed a jar from my bag. It contained a balm for rejuvenating tired, aching muscles. I grabbed one of his legs and began to rub the balm on it without his consent. He didn’t object, but did ask where I got it. “From my satchel,” was my answer.

He’d learned long ago that I perform tricks beyond his understanding and had decided to stop asking about them. I often frustrated him by truthfully answering the questions he asked, but reminding him that he’s not asking the right questions to get the answers he wants. All the years of this annoyance must have finally sunk in. He leaned forward and asked a better question: “How did you get it from your satchel when you did not put it there in the first place?”

“I traded a collection of dried butterflies for it,” I replied. His eyes narrowed; I laughed. I moved to applying balm to his other leg and continued, “There was a Meddyg, rather a Shaman, in a far away land in need of butterflies for his potions. I asked for a muscle-soothing salve in exchange and he agreed.”

“I’ll never understand it, I suppose,” Cefin said. I gave a short chuckle and continued masaging his legs. No matter how close he desired to be to me in his youth, I always pushed him away by confusing him. It was easy to do, as it seemed no human was capable of understanding instantaneous trade, or communication, over long distances.

“Oh, you just don’t want to,” I said and stood. I wiped the excess balm off my hands on the bottom of my cloak. It would collect more dirt from the cave, but cleanliness didn’t much interest me at this time. “It’s like an ethereal market in the back of every Meddyg’s mind; one offers up a number of items for trade and asks for a specific need in return for whatever they take.”

“I get that much,” Cefin said, “State’s tried to replicate it and force the villages into joining their setup. I don’t get, and I’m sure they don’t get, how you move physical objects such great distances in no time at all. They instead use objects made to specific standards and place them in every city, town, and village, so that anyone who wanted a tool for a task has what they need available.”

“It’s a horrible substitute,” I said, “You can’t make a standard wolf to trade for a standard wife.” The look on his face amused me, as did any expression of realization from a human.

“So you, with the she-wolf,” he stuttered. “How did you get a wolf’s brain into a woman’s body?”

“Magic,” I replied. An overly simplified answer, one which he was again not pleased with. Magic was just a word to describe things unexplained or not understood and he knew this; he also knew that everything occurred for a reason and that if something seemed magic, it was because they just hadn’t figured it out yet.

“I can’t tell you how to do it without you taking years of training as a Meddyg, Cefin.” This was the first time I’d used his name since he was in his twenties, long before he was the Magistrate of the village. Hearing his name spoken resonated with him and brought him back to the reality of the situation. He was no longer a Magister, and as such I did not call him by that title.

“I’m not happy with that answer, but I suppose I’ll have to accept it. You have rules to follow just like anyone else.” He stood and stretched his legs. We continued on in silence again.

Consider this a rough draft. Feel free to let me know if I did anything stupid.

The woman tapped her forehead with two fingers on her right hand. The man furled his brow as he thought about what that might mean. Meanwhile, I watched.

“Why do you keep asking me these questions?” the woman asked, “Why is there a hearing? How can you not look at her and know she is sinister? She stole my mind,my body, my life! She turned me into this!” Now she rose to show the audience of one herself in full: a thoroughly average woman of medium stature and weight. His brow remained furled.

She then banged on the desk before him, “YOU! ANSWER! She has you now, doesn’t she? She’s warping you! She-”

“He’s not my type,” I interrupted. Her face twisted into an impudent snarl; her nose curled as if something rotten were thrust below it. She aimed a perfectly normal, human finger at my face.

“She has no respect! See how she interferes with the proceedings!”

“Which you were just arguing again-”

“It’s not your turn!”

I put my hands up in resignation and remained seated as she breathed heavily through her average-sized nasal passage. By now the judge in this case had attempted to unfurl his brow by applying great pressure from his fingertips.

“Now as I was saying,” the woman continued, feigning calm but still maintaining a tone of indignation in her voice, “She has stolen everything from me and turned me into something I cannot stand to be. She did not give me what I asked for, and she has ruined my life. I cannot go back home! I cannot move on!”

“Madam,” the man finally spoke. “This is something I see quite often. Ibis is someone I see quite often.” The woman’s face piqued. She looked almost thrilled to hear that I see this magistrate regularly. “People come to her for miracles and she gives them reality. What did you come to her as? A she-wolf. What are you now? A human. You wanted to be a wife to your master, and now you are. I don’t at all see how the Meddyg failed in your fantasy.”

The woman’s excitement quickly waned. “But he does not want me, and it is because she did not make me beautiful!” I laughed, but the judge put up a finger to silence me.

“Your master does not want you because he wanted a dog, not a wife,” he said, “I suppose Ibis intended you to realize that sooner.” He looked to me and I nodded. “She’d have turned you back in an instant if you’d just have asked. It’s a shame she had to waste my time like this.”

The woman bore a look of confusion now, her eyes twitching slightly at the thought of betrayal. “I don’t … understand.”

“No, I don’t think you would. Meddyg Ibis, if you please.” He gestured to me, then to the woman. “I would like you to undo whatever it is you have done to this beast.”

“Oh come now, Magister, I didn’t make her that hideous,” I said, though he frowned disapprovingly at me. I laughed and pulled a collar and leash from my satchel. “From bitch, to bitch, to bitch,” I said as I latched the collar around her throat. The words were unnecessary, but it gave me some mild amusement as she tried to feign reluctance at receiving the leather strap.

In an instant a large black half-wolf sat upon the magistrate’s chair. Whatever other half her dog self was, I never bothered to ask. Perhaps I did inquire when I returned her to her master a short time later, but as it is unimportant to me, I retained no thought of it. I’m sure the mystery will allow any number of story-tellers to fill in the blanks as they see fit based upon their audience. The man thanked me for return of his dog, and made no mention of the woman who followed him home from hunting the day he lost her.

The magistrate called upon me at my home later that week. It was no small feat as I lived an hour’s walk from the village and he was far past his prime. “I do make housecalls,” I said as he opened my door. He never knocked, in all the years he’s visited me he has never knocked. I remained facing the pot of tea I had prepared as the leaves steeped. I heard him seat himself at my small table.

“One of these days,” he said as he stretched his legs under the table, “It will not be me and you will be forced to admit that you can’t see into the future and that you’ve been making tea for two every night for twenty-odd years, whether I show up or not.” I brought a cup of tea to him bearing the same mirthful smile I always do when he says that.

“What brings you here this time?” I asked. “Is it the puppies?” He gave me a quizzical look that quickly turned to realization. He chuckled, not because he was amused by the comment, but because he was nervous.

“City affairs,” He said and sipped, eying me over the edge of his cup. He was trying to gauge my response, but it was always hard for him. Familiar facial tics and twitches were not something I had. My eyes did not shine when I was filled with glee, nor did my nostrils flare when I was angered. To his, and many others’, irritation and discontent, I was eternally bemused by the daily lives of humans.

He continued to sip, and to stare. This had to be big news. I retrieved a bottle of liquor from my cupboard before returning to the table and filled my teacup with it. I held it out to the magistrate and he set his own cup down in favor of the alcohol. This is really big news. I stared into his eyes as he sipped his new drink.

“Well, your wish is coming true,” I said to him after he finished the shot of liquor. He started, unprepared for my statement. “If you’re wondering how much I know about what you’re going to say, you can be delighted or dissatisfied in knowing I have no idea what you’re here for.”

“State has taken the village,” he said, “They will come for you in the morning. They will not find me in my office tomorrow, and they will come for me, too.”

For the first time in three decades, I frowned.

I decided to call Allcare again to try and get things taken care of since 1) the voicemails I left 04-22 were never acknowledge by way of returning my call and 2) the email I sent never received a response.

So today, I left a voicemail for their billing department again.
I then called the offices, and the automated system directed me to a call-center. I explained the situation to the CSR and she said that I will have to call the office I went to, and gave me the number (the same number I had dialed). I told her that I already did, and it directed me to her. She then offered to transfer me to the office. I asked her if she was listening to me, because I told her the office directed me to the number I reached her at. She then offered to leave a message for the office. I asked her why she would even offer that when the office just directs me to the 800 number call center for billing issues? “Please hold while I transfer you.” I hung up.

There’s no actual office number for the site that lets you speak to a person. The local 216 number forwards to the 800 number. You don’t even speak to a person to schedule and appointment. Am I really going to have to go into the office personally and tell them to resubmit the information? I’m under the impression that once service is billed, it’s no longer in the local office’s hands, so I don’t see how that plan will help at all.

I called back and spoke to a generic services rep by hitting 0 repeatedly. She offered to transfer me to the billing number. I explained that I’d rather not since no one ever answers, nor do they return calls left in voicemail. She asked when I last called, and I told her last Thursday at 2 pm.

“Well there’s only 5 people in billing and they’re working as fast as they can.” They can’t do better than a week? How many bills are they screwing up? (Maybe if they didn’t do it on purpose, they wouldn’t have so many calls.)

I gave up and asked her to transfer me to Amy’s line again. I don’t want to keep bugging her about this since this should just be a simple issue, but I’m getting no response at all from billing. Her voicemail greeting told me she was on vacation and she’d be returning three days ago. Yeah, she got back Monday, supposedly. And was gone part of last week. She left an extension for someone else in her voicemail, but I’m not calling it. Why bother someone else when Amy is supposed to be back from vacation?

I really am getting sick of this bullshit.

Allcare dental sent me a bill claiming it’s over 90 days old (which it would be, since we haven’t been there since last July). However, everything (exam and cleaning for two adults, no fluoride) was covered by our insurance, and this is the first I’ve heard of us owing them anything.

I called their billing number. I’m immediately put into a queue to speak to the “next available billing representative” and given the option to press 0 to leave a message so that a rep will call back. Pressing 0 leads to a full mailbox with the option to hit 0 again to go back to the queue. Pressing 0 leads to the error “Invalid key.”

Hitting random extensions, I eventually reached Amy (x1135), patient relations manager. She told me to ignore the bill and she would make sure the information was resubmitted.

I wrote the above information on 18 March 2010.

On 19 April 2010, I received the same bill in the mail. I called the billing number and got the same result. On 21 April 2010 I called Amy (who had previously assured me that I could contact her if there were any issues) and she has yet to return my messages. On 22 April 2010 I managed to leave a voicemail message for the billing representative queue. I sent an email to their patient relations contact address with not only all my contact information, but also the exact form necessary for them to fax to Metlife.

Then I wrote a complaint email on their survey page, which then took me to a page with the only text being “Thank you page”.  The following is what I told them on the survey:

Here is a list of things that caused me from my first time visiting Allcare to decide to NEVER RETURN.

-Appointment was for 2:00 pm, we weren’t seen until 4:15

-When appointment scheduled, it was specifically mentioned it was for cleaning. Hygienist was overbooked, no cleaning was done that day.

-Had to wait 2 weeks for new appointment because hygienist is only on site three days a week

-Got a second opinion and found Allcare dentist saw 6 cavities that weren’t there or weren’t an issue.

Here are a list of things that cause me to tell my friends, family, and coworkers to not go to Allcare ever.

-This was all 9 months ago and covered by insurance. Allcare failed to submit claims properly and we are now receiving bills

-Allcare failed to submit forms again when requested last month.

-Allcare not answering phone nor returning calls regarding this issue.

I’ll keep this updated as more information becomes available. I have the sinking suspicion Allcare supplies faulty information on purpose, considering the majority of their patients are seniors and might just pay what they’re told to.

Concerning yourselves with how you paint rather than what!

Memento Mori, “To This Favour,” 1879

Oil on canvas

William Michael Harnett
(American, born Ireland, 1848-1892)

The Latin Term memento mori describes a traditional subject in art that addresses mortality. In Harnett’s example, the extinguished candle, spent hourglass, and skull symbolize death. A quote from William Shakespeare’s Hamlet, inscribed on the inside cover of a tattered book, reinforces the theme. It comes from the play’s famed graveyard scene, where Hamlet discovers a skull and grimly ponders his beloved Ophelia, ironically unaware that she is already dead. The “paint” in the quote not only refers to Ophelia’s make-up, but also wittily evokes the artifice of Harnett’s picture.

Mr. and Mrs. William H Marlatt Fund 1965.235

(The Cleveland Museum of Art)

While most still life paintings offer no narrative in their imagery, this does not mean there is no meaning to the piece. The meaning of this work by William Michael Harnett is offered directly in the title: Memento Mori, “To This Favour”. Even viewers not familiar with the Latin phrase memento mori can suss its meaning when viewing Harnett’s painting. An empty hourglass, a burned candled, and a skull are all icons of passing on, giving rise to feelings of one’s own mortality. As the phrase translated states, “Remember, you must die,” and so the viewer does. However, the meaning of this memento mori goes beyond that simple phrase.

“To This Favour” is a predominately dark piece, both visually and thematically, drawing the viewers attention to specific iconography with the touches of whiteness. The largest body of light color is the pages of the open books on the left. Harnett is known for his style of trompe l’oeil; in this instance he tricking the viewer’s eye into thinking one of the open books is motion. The upper of the two open books has three pages splayed in a position that would be impossible to capture in a still life painting if it were actually in motion. Each of these three pages curves in the exact manner one would expect it to do if it were falling under its own weight after being turned and left to fall to the opposite side of the book. Such is the trick, the tromp l’oeil, that the eye thinks the image so real that the page would fall at any moment. The book itself shows no meaning of death. The viewer cannot see the title nor read the text within it. Rather than be a symbol of the permanency of dying, the book, being half-open and in motion, may be a symbol of life: a life life half-over and passing quickly to the end.

The lower book is open as well, though its cover is torn from the binding. The aged, damaged book cover hangs over the edge of the table by a thread as if it, soon shall die. The inside cover is the closest object in the painting to the viewer, demanding one’s attention to the quote it bears. From Shakespeare’s Hamlet on the subject of death, the inscription reads: “Now get you to my lady’s chamber, and tell her, let her paint an inch thick, to this favour she must come.” In the play, the paint is Ophelia’s make-up; in this piece, the paint is the oils used by Harnett. Both paints are applied with thoughts death, which may have prompted the artist to use this particular quote. As one may know, Ophelia is already dead at the time the line is spoken by Hamlet, further compounding on the theme of death in the painting.

The next largest collection of whiteness is the skull, quintessentially the most recognizable symbol of death. The skull, like the book, is aged and damaged. It lacks several teeth and is a dirty, off-white color. Unlike the book, the skull faces to the side. The skull looks to the right of the viewer, whereas the book’s cover opens to the viewer directly. This positioning by Harnett aids in drawing the eye to the quoted text for which the painting is titled. The skull rests atop yet another book, this one much thicker and less damaged than the first two. The spine shows it to be a collection of Shakespeare’s Tragedies, which, like the thoughts this painting is meant to provoke, is full of death, loss, and mourning.

Another obvious symbol of passing used by Harnett is the extinguished candle. Light entering the scene from the left side of the painting creates a reflection on the candlestick. A broken line of white draws the viewer beyond the darkness of the whole piece to the candle. On the table, it sits behind the skull-topped book. Behind the candlestick and skull is naught but a darkened archway; a light-less passage through which the used-up candle cannot guide the viewer. Even the off-painting light source cannot guide the viewer’s eyes to what lies within that hall. It creates a sense of anxiety and anticipation at the thought of the great beyond. One cannot see what is through the passage, just as one cannot know what is seen after death.

Behind the open books sits an empty hourglass, presumably the sand has run out to the bottom though it is not seen in the painting. It is yet another iconic reminder of one’s own mortality and the passage of time. It is tilted in a slightly unsettling way and is perhaps propped up by one of the other books behind the open pair. Like the open book before it, the hourglass appears to be at the cusp of motion. It appears ready to fall, or even already falling, in its tipped position. The only portion of the glass seen is that which reflects the light from the left. The lighting effect may be Harnett’s real reason for presenting the hourglass at an angle. The glass is so clean that the viewer can see to the stone wall beyond and, had the hourglass not been positioned as it is, the reflected light may have been too much or too little. Too little, and the hourglass would go unnoticed. Too much and it would detract from the whiteness of the book cover and detract from the intended focus.

The books surrounding the hourglass have no visible titles, though they appear to be at different stages of aging. One book, positioned at an angle on the left side of the Shakespeare tome, has a few pages that seem to be shifted and poking out of the rest. This can be read as a well-used book that is possibly near “death,” though not as near as the book with quote upon it is. A book lays flat to the left of the hourglass and the open books. It appears to be smooth and not at all damaged, though perhaps a bit dusty. The sixth and final book is perhaps in the same stage of life: its pages are neat and straight, but are yellowed from age.

The table upon which this memento mori still life is placed is a drab, olive-brown. It does not shine like the silk painted by other artists using oils, but it is as smooth. It seems to be very plain, which could be indicative of it being over-used and near its end along with the books and candle. The lack of luster in the cloth, as well as the rest of the objects, shows death to be very mundane and common. This fits with the sense of tragedy in Hamlet as no death in the play is glorious, no one died a martyr, and celebrated at another’s death.

Still life paintings are oft devoid of deep meaning. However, William M. Harnett’s Memento Mori, “To This Favor” bears a rich subtext of the commonality of aging and loss in addition to it’s obvious subject of death. Each object is positioned to relate to the other as aging, death, and anxiety all relate to each other. Harnett’s work reminds one of one’s own mortality as intended, but also reminds us that those we love will pass, too.

Las Meninas, Diego Velasquez, 1656

Before reading this I feel it is important to understand the context under which it was written. This is an Art History class for non-art majors, focusing on the renaissance through cubism. This is for exam two. The class is two hours long, and the first portion of the test is fill-in-the-blank coupled with viewing of projected slides of various paintings the class had learned about. The essay portion allows the student to choose one of three topics and use whatever time is left of the two hours to write the essay. The test started at 6:15 PM and I left the classroom at 6:48 PM. I’m not certain how much of that time I was actually writing the essay, as I was writing between slides as well.

The prompt I chose for the essay was: “Valesquez’s Las Meninas 1656. Describe the form and content of the painting. What are the two subject matter. Describe the way the artist includes the viewer and how he leaves the meaning uncertain.”

And so, here is what I refereed to as my “worst essay ever” (though I suppose if I wrote “dog poop” a few times and turned that in, it’d be worse):

Las Meninas is a portrait of the princess of Spain, while implying to the viewer that they are the subject. As the handmaidens attend to the princess, she, the attending dwarves, and the artist acknowledge the viewer’s position is occupied. The mirror in the background shows that the king and queen are looking on, possibly the subjects of the painting-within-the-painting. Velasquez effectively places the viewer in the king and queen’s shoes. It is only momentarily, however, as a courtier in the back of the studio opens a door to prepare the way for the royal visitors.

All the above is subject to speculation, however, as the man in the back can be coming or going. As well, it is not clearly indicated if the royal pair are visiting or sitting for a portrait. The king’s dog also in the painting, but what he’s doing there (other than being prodded by a dwarf’s foot) is not certain. I personally read this painting as the king and queen having their portrait done and the princess is waiting (possibly impatiently as implied by the maidens fussing over her) for her turn to be included in the portrait.

There are two light sources in the painting. From the right, natural light enters and brightens the princess showing she is the true focus of the painting. Rather than being a simple group portrait, Velasquez included implied movement, making the painting a snapshot in time. The second light source is in the back, where a man looks on, interrupting the scene just as the light interrupts the dark background.

We got Dagwood a year ago. He was previously owned by a crazy cat hoarder that lost her home. All the cats were put up for adoption and he was lucky enough to be adopted by couple in North Royalton. They found that this adult cat was not compatible with their golden retriever and advertised his necessity to be re-homed on Craigslist. I responded and picked him up. He was an affectionate cat that loved hands; he would dig under the blankets to nuzzle your hand if he knew it was there.

James took him in for his checkup a few weeks ago and called me with some grave news: Dagwood had FeLV, and it was already causing lymphoma. We decided that we couldn’t afford to treat a cat for cancer again, and decided that we’d give him everything else until he was no more.

Dagwood eventually stopped eating much, then barely anything at all, and then he was just drinking. This morning he was hanging around his water dish, not bothering to sit up to drink. He was laying on his side, licking up whatever he could. We decided that it was time, and today at 5PM we took him to the vet and had him put down. He was 7 lbs in the end, when he’d been twice that or more a month ago.

Bye bye, Dagwood.

From Dagwood

Okay!

OLDER:

I’m older than I’ve ever been.
And now I’m even older.
And now I’m even older.
And now I’m even older.

I’m older than I’ve ever been.
And now I’m even older.
And now I’m older still.

TIME! Is marching on.
And time.. is still marching on.
This day will soon be at an end and now it’s even sooner.
And now it’s even sooner.
And now it’s even sooner.
This day will soon be at an end and now it’s even sooner.
And now it’s even sooner.
And now it’s sooner still.

You’re older than you’ve ever been.
And now you’re even older.
And now you’re even older.
And now you’re even older.

I’m older than I’ve ever been.
And now I’m even older.
And now I’m even older.
And now I’m even older.

I’m older than I’ve ever been.
And now I’m even older.
And now I’m older still.

Fedex attempted to deliver my birthday present today, but a signature was required and no one was home to receive it. My class let out early, so I decided to go to the Fedex shipping center to pick it up. The customer counter closed at 8; I left the campus at 7:15.
On the highway, someone decided to go 45 in the left lane (speed limit 60) until the moment I moved into the right lane to pass them. Then they went 75 (I was going 67 the whole time) and got way ahead of me, then moved into the center lane. I caught up to them again, as they had once again decided to go 45. I passed them in the left lane, then moved all the way to the right to make my exit.

Off the highway, I followed my GPS directions to the proper road to get to Fedex. Once I arrived, I was faced with a temporary “ONE WAY” sign pointing the opposite direction I needed to go. There’s construction down the entire stretch of roadway. The time was 7:50. I had 10 minutes to turn around and follow the detour. Thankfully, the detour only took 7.

Inside the Fedex shipping center, I provide the CSR my tracking number. They inform me that the driver is not in yet, and has not given them an ETA.

I had one more errand, I needed to sign some papers to finish filing my taxes with HR Block. The tax agent spent more time on the phone for a personal call than she did with me, but I can forgive her. She got screwed by a vehicle rental company. They told her previously they’d have a 12 person van delivered to her door before she got home from work. The phone call she received at 8:30 (her shift ended at 9) was to tell her they didn’t actually have a 12 person van at all, and could offer her NOTHING to rectify the situation, not even give her two smaller vans.

The good news for today is that I got someone hooked up with contacts to get them the training they need to keep their clients.

“Once you realize what a joke everything is, being the Comedian is the only thing that makes sense.”

Today we finally spent a Best Buy gift card from my parents. It was originally for a USB turntable, but I could never find a decent deal for one from Best Buy so we bought games and music instead.
Games:
Pikmin for Wii
Spirit Tracks for DS

Music:
White Stripes – Icky Thump
White Stripes – Elephant
Ratatat – Classics
Mika – Life in Cartoon Motion
The Raconteurs – Broken Boy Soldiers
Lady Gaga – The Fame Monster [Deluxe Edition]
Phoenix – Wolfgang Amadeus Phoenix

And now the music we forgot to post from Christmas:
Lily Allen – It’s Not Me, It’s You
Cake – Prolonging The Magic
ZZ Top – Rancho Texicano
Muse – The Resistance
The Prodigy – Invaders Must Die
Mika – The Boy Who Knew Too Much

And more music that we got and didn’t post about between today and Christmas:
Weezer – Raditude [Deluxe Edition]
OK Go – Of the Blue Colour of the Sky
OK Go – OK Go

Some day I’m going to post a huge list of all our legally purchased music that we keep mp3s of with links to go buy it yourself. Of course, if you’re a friend, you can always borrow our CDs.

from http://www.layeggistrue.com/

“Bletch Court” in Cuyahoga Heights, OH

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oh look I can still draw

As usual, click the image for the larger version.
I don’t know who this guy is other than he’s a warrior and probably hangs out with the Necromantrix somewhere. The name Ofydd came from a random name generator, and I stuck with Welsh again.

First I run into Pflugerville, now this?

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Before:

After:

From Jonas 6mo+